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Description	English: Irish band U2, in a 1987 publicity photo promoting its album The Joshua Tree, part of the photoshoot made by Anton Corbijn. From left to right: Larry Mullen, Adam Clayton, The Edge, Bono. Français : U2 sur une photo promotionnelle pour l’album The Joshua Tree, issue d’une séance réalisée par Anton Corbijn près du Harmony Motel à Twentynine Palms en Californie, entre le 14 et le 16 décembre 1986, et publiée en 1987. De gauche à droite : Larry Mullen, Adam Clayton, The Edge et Bono.
Date	Photograph taken in December 1986, published in 1987
Source	Press Kits: https://www.ebay.com/itm/196918981539 https://www.ebay.com/itm/153725278638 https://www.ebay.com/itm/226455217773 HQ: https://imageio.forbes.com/blogs-images/hughmcintyre/files/2017/01/Screenshot-2017-01-18-at-12.38.56-PM-1200×768.png?format=png&width=1440
Author	Anton Corbijn, Distributed by Island Records
Permission (Reusing this file)	English: No permission is required for the following reasons: A search was conducted through the U.S. Copyright Office public catalog, and there is NO record that this was subsequently registered within 5 years of publication. As such, the opportunity for copyright protection on the photo was forfeited and it entered the public domain. No Copyright registry of this picture was made by Island Records, U2 or Anton Corbijn. The source images linked above are mechanical scans of the underlying public domain work. These scans are faithful reproductions of the photograph that do not meet the threshold of originality necessary to assert a copyright interest. The photo has no copyright markings on it as can be seen in the links above. Searches of the album on Discogs and Ebay of The Joshua Tree don’t feature any releases of this exact picture, while other pictures of the Corbijn photoshoot are included and were Copyrighted, this exact picture was only used for promotional purposes. United States Copyright Office page 2 “Visually Perceptible Copies The notice for visually perceptible copies should contain all three elements described below. They should appear together or in close proximity on the copies. 1 The symbol © (letter C in a circle); the word “Copyright”; or the abbreviation “Copr.” 2 The year of first publication. If the work is a derivative work or a compilation incorporating previously published material, the year date of first publication of the derivative work or compilation is sufficient. Examples of derivative works are translations or dramatizations; an example of a compilation is an anthology. The year may be omitted when a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or useful articles. 3 The name of the copyright owner, an abbreviation by which the name can be recognized, or a generally known alternative designation of owner. Example: “© 2007 Jane Doe.” English: This is a publicity still taken and publicly distributed to promote the subject or a work relating to the subject. As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.): “Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary.” Nancy Wolff, in The Professional Photographer’s Legal Handbook (Allworth Communications, 2007, p. 55.), notes: “There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them.” Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes: “According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film’s copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible.” Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that: “[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements… [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs.”

Licensing

This work is in the public domain because it was published in the United States between 1978 and February 1989, inclusive, without a copyright notice, and its copyright was not subsequently registered with the U.S. Copyright Office within 5 years. For further explanation, see Commons:Hirtle chart as well as a detailed definition of “publication” for public art after 1977.
Unless its author has been dead for several years, it is copyrighted in the countries or areas that do not apply the rule of the shorter term for US works, such as Canada (70 pma), Mainland China (50 pma, not Hong Kong or Macau), Germany (70 pma), Mexico (100 pma), Switzerland (70 pma), and other countries with individual treaties. See this page for further explanation.

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	Date/Time	Thumbnail	Dimensions	User	Comment
current	15:39, 6 April 2025		1,200 × 768 (606 KB)	Hyperba21	HQ
	15:38, 6 April 2025		1,186 × 933 (231 KB)	Hyperba21	Uploaded a work by Anton Corbijn, Distributed by Island Records from Press Kits: https://www.ebay.com/itm/196918981539 https://www.ebay.com/itm/153725278638 https://www.ebay.com/itm/226455217773 HQ: https://imageio.forbes.com/blogs-images/hughmcintyre/files/2017/01/Screenshot-2017-01-18-at-12.38.56-PM-1200×768.png?format=png&width=1440 with UploadWizard

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U2

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1987

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