Shirt a Phobia

Sample Page

The ARIA Urban Chart is a chart that ranks the best-performing Urban tracks singles of Australia. It is published by Australian Recording Industry Association (ARIA), an organisation who collect music data for the weekly ARIA Charts. To be eligible to appear on the chart, the recording must be a single, and be “predominantly of a Urban nature”. [1]

Chart history

Issue date Song Artist(s) Reference
7 January “Apologize” Timbaland featuring OneRepublic [2]
14 January [3]
21 January [4]
28 January [5]
4 February [6]
11 February “Don’t Stop the Music” Rihanna [7]
18 February [8]
25 February [9]
3 March [10]
10 March [11]
17 March [12]
24 March “Low” Flo Rida featuring T-Pain [13]
31 March [14]
7 April [15]
14 April [16]
21 April [17]
28 April [18]
5 May [19]
12 May [20]
19 May [21]
26 May [22]
2 June “No Air” Jordin Sparks featuring Chris Brown [23]
9 June [24]
16 June [25]
23 June [26]
30 June [27]
7 July [28]
14 July [29]
21 July “When I Grow Up” The Pussycat Dolls [30]
28 July [31]
4 August [32]
11 August [33]
18 August [34]
25 August [35]
1 September [36]
8 September [37]
15 September [38]
22 September “Closer” Ne-Yo [39]
29 September “Disturbia” Rihanna [40]
6 October [41]
13 October [42]
20 October [43]
27 October [44]
3 November [45]
10 November “I Hate This Part” The Pussycat Dolls [46]
17 November “Live Your Life” T.I. featuring Rihanna [47]
24 November “If I Were a Boy” Beyoncé [48]
1 December “Live Your Life” T.I. featuring Rihanna [49]
8 December [50]
15 December [51]
22 December [52]
29 December [53]

Number-one artists

Position Artist Weeks at No. 1
1 Rihanna 18
2 Flo Rida 10
2 T-Pain 10
2 The Pussycat Dolls 10
3 Jordin Sparks 7
3 Chris Brown 7
4 T.I. 6
5 Timbaland 5
6 Beyoncé 1
6 Ne-Yo 1

See also

References

  1. ^ “ARIA Charts Home”. Archived from the original on 21 January 2009. Retrieved 31 January 2015.
  2. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 January 2008. Retrieved 1 March 2015.
  3. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 January 2008. Retrieved 1 March 2015.
  4. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 February 2008. Retrieved 1 March 2015.
  5. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 February 2008. Retrieved 1 March 2015.
  6. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 February 2008. Retrieved 1 March 2015.
  7. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 February 2008. Retrieved 1 March 2015.
  8. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 February 2008. Retrieved 1 March 2015.
  9. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 March 2008. Retrieved 1 March 2015.
  10. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 March 2008. Retrieved 1 March 2015.
  11. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 March 2008. Retrieved 1 March 2015.
  12. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 March 2008. Retrieved 1 March 2015.
  13. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 April 2008. Retrieved 1 March 2015.
  14. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 April 2008. Retrieved 1 March 2015.
  15. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 April 2008. Retrieved 1 March 2015.
  16. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 April 2008. Retrieved 1 March 2015.
  17. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 April 2008. Retrieved 2 March 2015.
  18. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 May 2008. Retrieved 2 March 2015.
  19. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 May 2008. Retrieved 2 March 2015.
  20. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 May 2008. Retrieved 2 March 2015.
  21. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 May 2008. Retrieved 2 March 2015.
  22. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 1 March 2015. Archived from the original (PDF) on 19 June 2008. Retrieved 2 March 2015.
  23. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 June 2008. Retrieved 3 March 2015.
  24. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 June 2008. Retrieved 3 March 2015.
  25. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 June 2008. Retrieved 3 March 2015.
  26. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 June 2008. Retrieved 3 March 2015.
  27. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 July 2008. Retrieved 3 March 2015.
  28. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 July 2008. Retrieved 3 March 2015.
  29. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 July 2008. Retrieved 3 March 2015.
  30. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 July 2008. Retrieved 3 March 2015.
  31. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 August 2008. Retrieved 3 March 2015.
  32. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 August 2008. Retrieved 3 March 2015.
  33. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 August 2008. Retrieved 3 March 2015.
  34. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 August 2008. Retrieved 3 March 2015.
  35. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 October 2008. Retrieved 3 March 2015.
  36. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 October 2008. Retrieved 3 March 2015.
  37. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 October 2008. Retrieved 3 March 2015.
  38. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 October 2008. Retrieved 3 March 2015.
  39. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 October 2008. Retrieved 3 March 2015.
  40. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 October 2008. Retrieved 3 March 2015.
  41. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 October 2008. Retrieved 3 March 2015.
  42. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 October 2008. Retrieved 3 March 2015.
  43. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 November 2008. Retrieved 3 March 2015.
  44. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 November 2008. Retrieved 3 March 2015.
  45. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 November 2008. Retrieved 3 March 2015.
  46. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 November 2008. Retrieved 3 March 2015.
  47. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 November 2008. Retrieved 3 March 2015.
  48. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 December 2008. Retrieved 3 March 2015.
  49. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 December 2008. Retrieved 3 March 2015.
  50. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 December 2008. Retrieved 3 March 2015.
  51. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 December 2008. Retrieved 3 March 2015.
  52. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 December 2008. Retrieved 3 March 2015.
  53. ^ “The ARIA Report, Week commencing 6 January 2013, Chart# 1245, p. 17” (PDF). Australian Recording Industry Association (ARIA). 3 March 2015. Archived from the original (PDF) on 19 December 2008. Retrieved 3 March 2015.