Shirt a Phobia

Sample Page

Armento vase painting 375–350 BC

In Greek mythology, Phthonus (/ˈθoʊnəs/; Ancient Greek: Φθόνος Phthónos), or sometimes Zelus,[citation needed] was the personification of jealousy and envy,[1] most prominently in matters of romance.[citation needed] In Nonnus‘s Dionysiaca, he is by proxy the cause of Semele‘s death, having informed Hera of Zeus‘s affair with the princess.[2] He also appears in Callimachus‘s Hymn to Apollo,[3] goading the god into an argument.[a] He is often compared and linked to the goddess of chaos and discord, Éris, for always causing the same effects as the goddess, using and abusing jealousy and envy to create fights between everyone.[citation needed] Furthermore, they are both Daemons.

His female counterpart was Nemesis, personification of revenge. In contrast to Phthonus’ domain being closely tied to romantic and sexual jealousy, Nemesis was more closely related to violent retribution.[citation needed]

This deity, already envious of Dionysus before his birth, incited jealousy in Athena by displaying an image of Ares clad in fake blood-drenched armor.[b] Additionally, this provoked Hera’s envy, leading her to seek another celestial spouse as she suspected Zeus would remain with Semele.[c] The deity persisted in provoking Hera and Athena, recalling Zeus’s various affairs and foretelling heroic feats for Dionysus.[b]

According to Irenaeus, Gnostics believed that the first angel and Authadia conceived the children Kakia (wickedness), Zelos (emulation), Phthonus (envy), Erinnys (fury), and Epithymia (lust).[d]

References

Classical sources

  1. ^ Callimachus, Hymn 2.105–113.
  2. ^ a b Nonnus of Panopolis, Dionysiaca 8.34–49.
  3. ^ Nonnus of Panopolis, Dionysiaca 8.50–60.
  4. ^ Irenaeus, Against Heresies 1.29.4, in Ante-Nicene Fathers 1.

Modern citations

  1. ^ Bernert (1941); Pötscher (1972); Gisler (1997); Käppel (2007).
  2. ^ Verhelst (2016), pp. 164–165; Verhelst (2017), pp. 199–207.
  3. ^ Miguélez-Cavero (2013), p. 361; Stephens (2015), p. 73.

Works cited

  • Bernert, Ernst (1941). “Phthonos”. Paulys Realencyclopädie der classischen Altertumswissenschaft (in German). Vol. XX.1. cols. 961–964.
  • Gisler, Jean-Robert (1997). “Phthonos”. Lexicon Iconographicum Mythologicae Classicae (in French). Vol. VII.1. Zürich: Artemis Verlag. pp. 992–996. ISBN 3-7608-8758-9.
  • Käppel, Lutz (2007). “Phthonos”. Brill’s New Pauly: Antiquity. Vol. 11. Leiden: Brill. p. 204. doi:10.1163/1574-9347_bnp_e924440. ISBN 978-90-04-14216-9.
  • Miguélez-Cavero, Laura (2013). “Cosmic and Terrestrial Personifications in Nonnus’ Dionysiaca“. Greek, Roman, and Byzantine Studies. 53 (2): 350–378.
  • Pötscher, Walter (1972). “Phthonos”. Der Kleine Pauly (in German). Vol. IV. München: Alfred Druckenmüller Verlag. col. 832, ll. 41–51.
  • Stephens, Susan A., ed. (2015). “The Hymn to Apollo”. Callimachus: The Hymns. Oxford University Press. pp. 72–99. ISBN 978-0-19-026678-3.
  • Verhelst, Berenice (2017). Direct Speech in Nonnus’ Dionysiaca: Narrative and Rhetorical Functions of the Characters’ “Varied” and “Many-Faceted” Words. Leiden: Brill. doi:10.1163/9789004334656. ISBN 978-90-04-32589-0.
  • Verhelst, Berenice (2016). “Minor Characters in the Dionysiaca“. In Accorinti, Domenico (ed.). Brill’s Companion to Nonnus of Panopolis. Leiden: Brill. pp. 152–172. doi:10.1163/9789004310698_009. ISBN 978-9004-31011-7.

Further reading

  • Brommer, Frank (1974). “Phthonos”. Archäologischer Anzeiger. 88: 169–170.
  • Dunbabin, K.M.C.; Dickie, M.W. (1983). “Invida rumpantur pectora: The Iconography of Phthonos/Invidia in Graeco-Roman Art”. Jahrbuch für Antike und Christentum. 26: 7–37.
  • Shapiro, Alan (2025). “Peleus and the φθόνος θεῶν”. In Cipolla, Nicholas; LaGatta, Anne F.; Livingston, Candace Weddle; Schertz, Peter J.M.; Spinelli, Ambra; Yeomans, Sarah K. (eds.). Why Ancient Objects Matter: Greek and Roman Art and Materiality from Antiquity to the Present. Berlin: Walter de Gruyter. pp. 97–110. doi:10.1515/9783111182919-007. ISBN 978-3-11-115182-3.