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The Opera Portal

Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri‘s lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L’Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his “reform” operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This ‘golden age’ developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

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Selected article

Bacchus and Ariadne by Alessandro Turchi
L’Arianna (English: Ariadne) (SV 291), composed in 1607–08, was the second opera by the Italian composer Claudio Monteverdi. One of the earliest of the Baroque period and indeed of any operas, it was first performed on 28 May 1608, as part of the musical festivities for a royal wedding at the court of Duke Vincenzo Gonzaga in Mantua. All the music is lost apart from the extended recitative known as “Lamento d’Arianna” (“Ariadne’s Lament”). This fragment became a highly influential musical work and was widely imitated; the “expressive lament” became an integral feature of Italian opera for much of the 17th century. The libretto, which survives complete, was written in eight scenes by Ottavio Rinuccini, who used Ovid‘s Heroides and other classical sources to relate the story of Ariadne’s abandonment by Theseus on the island of Naxos and her subsequent elevation as bride to the god Bacchus. The opera was composed under severe pressure of time; the composer later said that the effort of creating it almost killed him. The initial performance, produced with lavish and innovative special effects, was highly praised, and the work was equally well received in Venice when it was revived under the composer’s direction in 1640 as the inaugural work for the Teatro San Moisè.
The fly duet from the 1887 revival of Jacques Offenbach‘s Orphée aux enfers (Orpheus in the Underworld) with Jeanne Granier as Eurydice and Eugène Vauthier as Jupiter. In this raucous retelling of Greek myth, Orpheus and Eurydice hate each other (but the embodiment of Public Opinion will ruin Orpheus‘ reputation if he does not try and rescue her), Pluto is in love with Eurydice, but life in Hades is too boring for her, and Jupiter takes all the gods down below to party – and to try to seduce Eurydice. In the form of a fly.

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Jean de Reszke

Selected biography

Richard Wagner
Wilhelm Richard Wagner (22 May 1813 – 13 February 1883) was a German composer, conductor, theatre director and essayist, primarily known for his operas. Wagner’s compositions, particularly those of his later period, are notable for their complex texture, rich harmonies and orchestration, and the elaborate use of leitmotifs: musical themes associated with individual characters, places, ideas or plot elements. Unlike most other opera composers, Wagner wrote both the music and libretto for every one of his stage works. Famous extracts from his operas include the “Ride of the Valkyries” and the Bridal Chorus from Lohengrin, popularly known as the wedding march “Here Comes the Bride”. Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music. Wagner’s influence spread beyond music into philosophy, literature, the visual arts and theatre. He had his own opera house built, the Bayreuth Festspielhaus, where his most important stage works continue to be performed today in an annual festival run by his descendants.

Selected quote

Oscar Hammerstein I
I sincerely believe that nothing will make better citizenship than familiarity with grand opera. It lifts one so out of the sordid affairs of life and makes material things seem so petty, so inconsequential, that it places one for the time being, at least, in a higher and better world.

Selected audio

Antonio Pasculli‘s Gran Concerto on themes from Verdi‘s I vespri siciliani. Performed by Alex Klein, oboe, and Lisa Bergman, piano.

Did you know?

Euphrosyne Parepa-Rosa

WikiProjects

Main topics

Opera history: Origins of opera • Italian opera • Opera in German • French opera • Opera in English • Polish opera • Russian opera • Hungarian opera • Armenian opera • Opera in Latin America

Opera topics

Opera genres: Azione teatrale · Ballad opera · Comédie en vaudevilles · Comédie mêlée d’ariettes · Dramma giocoso · Dramma per musica · Farsa · Festa teatrale · Género chico · Grand Opera · Music Drama · Opéra-ballet · Opera buffa · Opéra bouffe · Opéra bouffon · Opéra comique · Opéra féerie · Opera semiseria · Opera seria · Operetta · Pastorale héroïque · Romantische Oper · Savoy opera · Semi-opera · Singspiel · Spieloper · Tragédie en musique · Verismo · Zarzuela · Zeitoper

Opera terms: Aria · Aria di sorbetto · Arioso · Bel canto · Breeches role · Burletta · Cabaletta · Cadenza · Cantabile · Castrato · Cavatina · Chest voice · Claque · Coloratura · Comprimario · Convenienze · Coup de glotte · Da capo aria · Diva · Entr’acte · Fach · Falsetto · Fioritura · Gesamtkunstwerk · Head voice · Intermezzo · Kammersänger · Leitmotif · Legato · Libretto · Literaturoper · Mad scene · Maestro · Melodrama · Melodramma · Monodrama · Messa di voce · Opera house · Passaggio · Portamento · Prima donna · Prompter · Recitative · Regietheater · Répétiteur · Sitzprobe · Spinto · Sprechgesang · Squillo · Stagione · Surtitles · Tessitura · Timbre · Vibrato

Opera voices: Baritenor · Baritone · Bass · Bass-baritone · Coloratura soprano · Contralto · Countertenor · Dramatic soprano · Haute-contre · Lyric soprano · Mezzo-soprano · Soprano · Soubrette · Spinto soprano · Tenor · Tenore contraltino · Tenore di grazia

Opera lists: Opera topics • List of operas by composer • Important operas • Major opera composers • Opera librettists • Opera houses • Opera companies • Opera festivals • Opera directors • Operetta composers • Orphean operas • Zarzuela composers • Opera genres • Operas set in the Crusades • The Record of Singing • Bayreuth canon

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