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Urkesh, also transliterated Urkish (Akkadian: 𒌨𒆧𒆠 UR.KIŠKI, 𒌨𒋙𒀭𒄲𒆠 UR.KEŠ3KI; modern Tell Mozan (also Tall Mozan); Arabic: تل موزان), is a tell, or settlement mound, located in the foothills of the Taurus Mountains in Al-Hasakah Governorate, northeastern Syria. It was founded during the third millennium BC, possibly by the Hurrians, on a site which appears to have been inhabited previously for a few centuries. The city god of Urkesh was Kumarbi, father of Teshup.[1] The site of Tell Shermola in the modern city of Amuda lies about 7 kilometers away and was where the Hurrian foundation pegs (“Urkish lions”) were thought to have been sold into the antiquities market.

There are other contemporary ancient sites in this area of upper Khabur River basin. For example, Chagar Bazar is 22 km south of Mozan. Tell Arbid is located 45 km south of Tell Mozan. Tell Brak is about 50 km to the south.

Tell Leilan is located about 50 km to the east of Urkesh. Leilan, Brak and Urkesh were particularly prominent during the Akkadian period.[2]

History

Map of the Khabur Basin during the Bronze Age showing the location of Tell Mozan and Tell Brak.

There is some evidence of minor occupation in the site during the Late Chalcolithic period based on pottery and burials.[3][4]

Early Bronze IVA

Akkadian period

Seal inscriptions give evidence for a city ruler with the presumably Hurrian name of Tupkish, and his queen with the name of Uqnitum (possibly Akkadian and id so meaning “lapis lazuli”) as well as two of her servants, the cook Tuli and nurse Zamena. The queens seals were more numerous than those of the king and were used mainly to seal doors and containers.[5][6][7] Tupkish, who ruled during the ascendancy of the Akkadian Empire, assumed the title of “king of Urkesh and Nagar“. The large palace of Tupkish, also occupied by the next two rulers before being abandoned, had a service wing and a residential wing, both with courtyards.[8] At this time a city wall, with associated ditch, was built to encompass Urkesh, including the Lower Town.[9] Seals of a daughter Tar’am-Agade of the Akkadian Empire ruler Naram-Sin were found at the site. They read “(Of) Naram-Sin, the king of Akkad, Tar’am-Agade, his daughter”. It is thought that she was either the head temple prietess at Urkesh, several other daughters of Naram-Sin having assumed that role in other empire cites, or was married to the king of Urkesh.[10]

View of Tell Mozan from the north

Evidence for a significant Hurrian influence at Urkesh in the late 3rd millennium BC, unlike the early 2nd millennium BC, is relatively modest. Most of the inscriptions and texts are written in the Akkadian language or in the Sumerian language. One text has been suggested as being in Hurrian. The Urkesh Lions were written in Hurrian but are of uncertain provenance, having been looted and entered into the antiquities market, and of uncertain, chronology of the ruler Tiš-atal being unknown, though likely later date. A few patronyms, including the ruler Tupkish, a Hapax legomenon, have been suggested as being Hurrian. One small Ur III period cuneiform tablet was found.[11][12][5]

Middle Bronze IIA

During this period the abandoned palace of Tupkish was used as a graveyard with an area of about 1860 square meters, buolt along the foundation walls. There were two periods of use, corresponding to the Isin-Larsa and Old Babylonian periods, separated by a short period of abandonment. Burial tyoes were primarily pit and jar burials, though a few built tombs and one vaulted tomb were found. Grave goods were primarily pottery though they included bronze tools and jewellery.[13][3]

During the early second millennium BC the city passed into the hands of the rulers of Mari, a city a few hundred miles to the south. The king of Urkesh became a vassal (and apparently an appointee) of Mari. The people of Urkesh evidently resented this, as the royal archives at Mari provide evidence of their strong resistance; in one letter, the king of Mari tells his Urkesh counterpart that “I did not know that the sons of your city hate you on my account. But you are mine, even if the city of Urkesh is not.”

Late Bronze II

Mitanni period

In the middle of the 2nd millennium, Tell Mozan was the location of a Mitanni religious site.[14]

The city appears to have been largely abandoned circa 1350 BC, although the reason for this is unknown to archaeologists at this time.[15]

Archaeology

The Louvre lion and accompanying stone tablet bearing the earliest known text in Hurrian

The entire site covers around 135 hectares, mostly made up of the outer city. The high mound covers about 18 hectares (44 acres) and rises to a height of 25 meters, with 5 sub-mounds. The maximim area was reached in the 3rd millennium BC and on most of the site the 3rd millennium BC material lies just below the surface, without later occupational overburden. The high mound is surrounded by a mudbrick city wall that was roughly 8 meters wide and 7 meters high.[16]

General view of the Palace at Urkesh

Soundings at the site were first made by Max Mallowan during his survey of the area. Agatha Christie, his wife, wrote that they chose not to continue at the site because it seemed to have Roman material.[17] No trace of Roman occupation levels have been found in later excavations, however. Mallowan went on to excavate Chagar Bazar, another site to the south of Mozan/Urkesh. Excavations at Tell Mozan began in 1984 and have been conducted for at least 17 seasons up to the present time.[18] The work has been led by Giorgio Buccellati of UCLA and Marilyn Kelly-Buccellati of California State University, Los Angeles.[19][20][21][22][23] The 2007 season was primarily dedicated to working on publication material, primarily excavation units A16, J1, J3 and J4. A small sounding was done in J1 to clarify the transition between Mittani and Khabur. From 1998 to 2001 the excavations were joined by Deutsche Orient-Gesellschaft (German Oriental Society) team directed by Peter Pfrilzner of Tubingen University.[24][25]

Important excavated structures include the royal palace of Tupkish, an associated necromantic underground structure (Abi), a monumental temple terrace with a plaza in front and a temple at the top, residential areas, burial areas, and the inner and outer city walls.[26][27]

The temple at Urkesh sits on a raised platform at the center of the mound. The platform has a stone revetment wall and a monumental staircase gives access from the surrounding plaza. It was begun roughly in the Early Dynastic III to Akkadian Empire period. The plaza, encompassed by another wall, during the Akkadian Empire period became the site of the large palace of Tupkish. The temple itself (Area BA) is of the standard “bent-axis” form and had four major building phases with the later phases more subject to erosion. Phase 1, the old and proposed to date to Early Dynastic III, was destroyed by fire. The limited nature of later phases make uncertain if the area was still being used as a temple. The deity worshiped in the temple is uncertain and both Nergal and Kumbari have been proposed. The palace had a service area and a residence area, the later being two meters higher.[28][29][27][30][31]

Foundation tablet. Dedication to God Nergal by Hurrian king Atalshen, king of Urkish and Nawar, Habur Bassin, circa 2000 BC. Louvre Museum AO 5678.
“Of Nergal the lord of Hawalum, Atal-shen, the caring shepherd, the king of Urkesh and Nawar, the son of Sadar-mat the king, is the builder of the temple of Nergal, the one who overcomes opposition. Let Shamash and Ishtar destroy the seeds of whoever removes this tablet. Shaum-shen is the craftsman.”[32]

One of the most important fixed points of reference for chronology are impressions on door sealings of the seal of Tar’am-Agade, the daughter of Naram-Sin, which because of stratigraphy can be firmly linked to phase 3 of the AP palace occupation.[10]

Small finds included a number of terracotta animal figurines.[33] Finds from the excavations at Tell Mozan are on display in the Deir ez-Zor Museum.[34]

2011 to present

Excavations are on hold during the Syrian Civil War since 2011. The site lies close to the Turkish border, and is protected by Kurdish troops and a team of local workers. Conservation activities continue at the site.[35][36][37][38]

Rulers

Large vessel from Urkesh, called ‘altanni’ in Hurrian

No year names of Urkesh rulers are known and only royal inscriptions of Tiš-atal and Atal-šen are available. Only the dating of Tupkish, in the Akkadian Empire period, is known. The known kings of Urkesh include:

  • Tupkish – (c. 2250 BC) [39][7] One seal, “Tupkish, endan of Urkesh”, is known.[5]
  • Tiš-atal – The Urkesh lions (and associated foundation tablets (AO 19938) carry the text “Tish-atal king of Urkesh the temple of NERGAL he built. the temple, this aforementioned one, Lubadag let him protect! … let Lubadag destroy”. The reading of Nergal is uncertain and the underlying cuneiform had be transliterated as “DINGIR=-KIŠ.GAL” or as “{d}pirig-gal” and there are also suggestions that this is an logogram representing a Hurrian god such as Kumarbi. Lubadag was a minor Hurrian god.[40][32]
  • Atal-šen – A text (AO 05678) whose provenance is uncertain but thought to be Samarra reads “Of Nergal the lord of Hawalum Atal-shen, the caring shepherd, the king of Urkesh and Nawar, the son of Sadar-mat the king, (is) the builder of the temple of Nergal … Shamash and Ishtar his seed let them destroy”. Again note that Nergal is transliterated “DINGIR=-KIS^.UNU.GAL” or “(d}nergal”, that claims rulership of Urkesh and Nawar, and that that deities enforcing the text are Mesopotamian. It was not uncommon for rulers at this time to claim to have built when they were actually rebuilding. [41]

The rulers Shatar-mat, Ishar-klnum, Te’irru, Ann-atal, and Haziran were also suggested.[42][43]

See also

References

  1. ^ Buccellati, Giorgio, and Marilyn Kelly-Buccellati, “Urkesh: The First Hurrian Capital”, The Biblical Archaeologist, vol. 60, no. 2, pp. 77–96, 1997
  2. ^ Margreet L. Steiner, Ann E. Killebrew, The Oxford Handbook of the Archaeology of the Levant: C. 8000-332 BCE. OUP Oxford, 2014 p398
  3. ^ a b [1]Kharobi, Arwa, “The place of children in the ancient society of Urkesh (Tell Mozan, Northeastern Syria) in the Middle Bronze Age (2000-1600 BC): An anthropological approach”, 8th International Congress on the Archaeology of the Ancient Near East, pp. 59-67, 2014
  4. ^ [2]Kelly-Buccellati, Marilyn, “Urkesh ceramic evidence for function”, Stories Told Around the Fountain. Papers Offered to Piotr Bieliński on the Occasion of His 70th Birthday. Wydawnictwa Uniwersytetu Warszawskiego, pp. 285-304, 2019
  5. ^ a b c Buccellati, Giorgio, and Marilyn Kelly-Buccellati, “The Seals of the King of Urkesh: Evidence from the Western Wing of the Royal Storehouse AK”, Wiener Zeitschrift Für Die Kunde Des Morgenlandes, vol. 86, pp. 65–98, 1996
  6. ^ [3]Kelly-Buccellati, Marilyn, “Uqnitum and Tarᵓam-Agade Patronage and Portraiture at Urkesh”, Festschrift fur Gernot Wilhelm anlasslich seines 65, pp. 185-202, 2010
  7. ^ a b [4]Buccellati, Federico, “Three-dimensional volumetric analysis in an archaeological context: the palace of Tupkish at Urkesh and its representation”, Undena, 2016
  8. ^ Frahm, Ellery, and Joshua M. Feinberg, “Empires and resources: central Anatolian obsidian at Urkesh (Tell Mozan, Syria) during the Akkadian period”, Journal of Archaeological Science 40.2, pp. 1122-1135, 2013
  9. ^ Pustovoytov, Konstantin, Katleen Deckers, and Paul Goldberg, “Genesis, age and archaeological significance of a pedosediment in the depression around Tell Mozan, Syria”, Journal of Archaeological Science 38.4, pp. 913-924, 2011
  10. ^ a b [5]Buccellati, Giorgio and Marilyn Kelly-Buccellati, “Tar’am-Agade, Daughter of Naram-Sin, at Urkesh”, in Of Pots and Plans. Papers on the Archaeology and History of Mesopotamia and Syria presented to David oates in Honour of his 75th Birthday, London: Nabu Publications, pp. 11-31, 2002
  11. ^ [6]Maiocchi, Massimo, “A Hurrian Administrative Tablet from Third Millennium Urkesh”, Zeitschrift für Assyriologie und Vorderasiatische Archäologie, vol. 101, no. 2, pp. 191-203, 2011
  12. ^ [7]Marilyn Kelly- Buccellati, “Andirons at Urkesh: New Evidence for the Hurrian Identity of the Early Trans-Caucasian Culture”, 2004)
  13. ^ [8]Kharobi, Arwa, and Giorgio Buccellati, “The dignity of the dead. The case of ancient Urkesh and modern Tell Mozan, Syria (2000-1600 BC)”, Paléorient, pp. 165-175, 2017
  14. ^ [9] Kelly-Buccellati, Marilyn, “The Urkesh Mittani Horizon: Ceramic Evidence.” talugaeš witteš, pp. 237-256, 2020
  15. ^ [10] Giorgio Buccellati and Marilyn Kelly‐Buccellati, “Tell Mozan – ancient Urkesh. A visitor’s guide”, 2007
  16. ^ Buccellati, Marilyn K. (1990). “A New Third Millennium Sculpture from Mozan”. In Leonard, A.; Williams, B. (eds.). Essays in Ancient Civilization Presented to Helene J. Kantor. SAOC. Vol. 47. Oriental Institute. pp. 149–154. ISBN 0-918986-57-5.
  17. ^ Agatha Christie, “Come Tell Me How You Live”, Akadine Press, 2002 ISBN 1-58579-010-9
  18. ^ Wilford, John Noble (1995-11-21). “Lost Capital of a Fabled Kingdom Found in Syria”. The New York Times. ISSN 0362-4331. Retrieved 2015-06-06.
  19. ^ Giorgio Buccellati and Marilyn Kelly Buccellati, “Mozan 1: The Soundings of the First Two Seasons”, Undena, 1988 ISBN 0-89003-195-9
  20. ^ [11]Lucio Milano, “Mozan: The Epigraphic Finds of the Sixth Season (Vol. 5)”, Undena, 1991 ISBN 0-89003-276-9
  21. ^ Giorgio Buccellati and Marilyn Kelly-Buccellati, “The Seventh Season of Excavations at Tell Mozan, 1992”, Chronique Archéologique en Syrie, vol. 1, pp. 79-84, 1997
  22. ^ Giorgio Buccellati and Marilyn Kelly Buccellati, “Preliminary Report on the 21th [sic] Season of Excavations at Tell Mozan-Urkesh (July–September 2008)”, Chronique Archéologique en Syrie IV, pp. 127-132, 2010
  23. ^ Giorgio Buccellati et al, “Preliminary Report on the 22nd Season of Excavations at Tell Mozan-Urkesh (July–October 2009)”, Chronique Archéologique en Syrie V, pp. 107-116, 2011
  24. ^ [12]Dohmann-Pfälzner, Heike, and Peter Pfälzner, “Ausgrabungen der Deutschen Orient-Gesellschaft in der zentralen Oberstadt von Tall Mozan/Urkes. Bericht über die in Kooperation mit dem IIMAS durchgeführte Kampagne 1999”, Mitteilungen der Deutschen Orient-Gesellschaft zu Berlin 132, pp. 185-228 2000
  25. ^ Schmidt, C., “Ausgrabungen 1998-2001 in der Zentralen Oberstadt von Tall Mozan/Urkes”, Die Keramik der Friih-GazTra V-bis Alt-Gazira Il-Zeit vom Tall Mozan, SUN A 4, 2012
  26. ^ Buccellati, Giorgio; Kelly-Buccellati, Marilyn (1996). “The Royal Storehouse of Urkesh: The Glyptic Evidence from the Southwestern Wing”. Archiv für Orientforschung. 42–43: 1–32. JSTOR 41668230.
  27. ^ a b Giorgio Buccellati and Marilyn Kelly-Buccellati, “Great Temple Terrace at Urkesh and the Lions of Tish-atal”, in General studies and excavations at Nuzi 11/2: in honor of David I. Owen on the occasion of his 65th birthday October 28, 2005 edited by Gernot Wilhelm, CDL, pp. 33-70, 2009 ISBN 1-934309-22-2
  28. ^ [13]Mahmoud, Yasmine, “Anthropomorphic figurines, statuettes and jewelry from Urkesh An archaeological and historical study”, Dissertation, 2021
  29. ^ [14]Becker, J., et al., “The Monumental Temple Terrace at Urkesh and its Setting”, Kulturlandschaft Syrien: Zentrum und Peripherie Festschrift für Jan-Waalke Meyer, Ugarit, 2010
  30. ^ Weiss, Harvey, “Archaeology in Syria”, American Journal of Archaeology, vol. 95, no. 4, pp. 683–740, 1991
  31. ^ [15]Buccellati, Giorgio, “The Monumental Urban Complex at Urkesh”, Report on the 16th Season of Excavations, July-September 2003, 2003
  32. ^ a b “Royal inscriptions”. urkesh.org.
  33. ^ Weiss, Harvey, “Archaeology in Syria”, American Journal of Archaeology, vol. 101, no. 1, pp. 97–148, 1997
  34. ^ Bonatz, Dominik; Kühne, Hartmut; Mahmoud, As’ad (1998). Rivers and steppes. Cultural heritage and environment of the Syrian Jezireh. Catalogue to the Museum of Deir ez-Zor. Damascus: Ministry of Culture. OCLC 638775287.
  35. ^ Buccellati, Federico, Giorgio Buccellati, and Marilyn Kelly-Buccellati, “Archaeological Conservation between Excavation and Fruition: The Case of Tell Mozan, Ancient Urkesh”, Terra 2022: Proceedings of the 13th World Congress on Earthen Architectural Heritage, Sante Fe, New Mexico, USA, June 7-10, 2022. Getty Publications, pp. 126-131, 2025
  36. ^ [16]Buccellati, Giorgio, “From Urkesh to Mozan. The itinerary of a project in wartime”, Stories Told Around the Fountain. Papers Offered to Piotr Bieliński on the Occasion of His 70th Birthday. Wydawnictwa Uniwersytetu Warszawskiego, pp. 187-204, 2019
  37. ^ Agnew, N., and M. Demas, “Integrating Conservation, Archaeology and Community at Tell Mozan (Urkesh)”, Between Syria and the Highlands, pp. 15-20, 2019
  38. ^ Buccellati, G. and S. Bonetti, “Conservation at the core of archaeological strategy. The case of ancient Urkesh at Tell Mozan”, The Getty Conservation Institute Newsletter, vol. 18, no. 1, pp. 18-21, 2003
  39. ^ [17]Ahmad, Amer, “The role of the service quarters in palaces in the 3rd millennium BC. The palace of Tupkish at Urkesh as a test case: stratigraphy, typology, and conservation”, 2026
  40. ^ “RIME 3/2.07.03.01, Ex. 03 Artifact Entry.” (1970) 2024. Cuneiform Digital Library Initiative (CDLI). September 22, 2024
  41. ^ “RIME 3/2.07.02.01, Ex. 01 Artifact Entry.” (2012) 2024. Cuneiform Digital Library Initiative (CDLI). September 30, 2024
  42. ^ Buccellati, G. – Kelly-Buccellati, M., “Uberlegungen zur funktionalen und historischen Bestimmung des Konigspalastes von Urkes”, Bericht ilber die 13. Kampagne in Tall Mozan/ Urkes: Ausgrabungen im Gebiet AA, Juni-August 2000, MDOG 133, pp. 59-96, 2001
  43. ^ Buccellati, Giorgio, and Marilyn Kelly-Buccellati, “Urkesh as a Hurrian religious center”, Studi micenei ed egeo-anatolici 47, pp. 27-59, 2005

Further reading

  • Bianchi, Alice, “Comparative studies on the pottery of sector AK of the royal building in Tell Mozan/Urkes (Syria)”, Harrassowitz, 2012
  • [18]M. Kelly-Buccellati, “Urkesh and the North: Recent Discoveries”, Studies on the Civilization and Culture of the Nuzi and the Hurrians 15, General Studies and Excavations at Nuzi 11/1, pp. 3–28, 2005
  • Kelly-Buccellati, Marilyn, “Women’s power and work in Ancient Urkesh”, Women in Antiquity. Routledge, pp. 48-63, 2016
  • [19]Kelly-Buccellati, Marilyn, “Urkesh: The morphology and cultural landscape of the Hurrian sacred”, Ebla e la Siria dall’età del Bronzo all’età del Ferro. Accademia Nazionale dei Lincei: Atti dei convegni Lincei 304, pp. 97-115, 2016
  • Giorgio Buccellati and Marilyn Kelly Buccellati, “Urkesh/Mozan Studies 3: Urkesh and the Hurrians : A Volume in Honor of Lloyd Cotsen”, Undena, 1998 ISBN 0-89003-501-6
  • Canby, Jeanny Vorys, “A Figurine from Urkesh: A ‘Darling’ from Troy to Mesopotamia”, Iraq, vol. 65, pp. 171–73, 2003
  • Rick Hauser, “READING FIGURINES: Animal Representations in Terra Cotta from Royal Building AK at Urkesh (Tell Mozan)”, Undena, 2006 ISBN 0-9798937-1-2
  • Peter M. M. G. Akkermans and Glenn M. Schwartz, “The Archaeology of Syria: From Complex Hunter-Gatherers to Early Urban Societies (c.16,000-300 BC)”, Cambridge University Press, 2004 ISBN 0-521-79666-0
  • Giorgio Buccellati, “A Lu E School Tablet from the Service Quarter of the Royal Palace AP at Urkesh”, Journal of Cuneiform Studies, vol. 55, pp. 45–48, 2003
  • Frahm, Ellery, and Joshua M. Feinberg, “Environment and collapse: Eastern Anatolian obsidians at Urkesh (Tell Mozan, Syria) and the third-millennium Mesopotamian urban crisis”, Journal of Archaeological Science 40.4, pp. 1866-1878, 2013
  • Frahm, Ellery, “Ceramic studies using portable XRF: From experimental tempered ceramics to imports and imitations at Tell Mozan, Syria”, Journal of archaeological science 90, pp. 12-38, 2018
  • [20]Kharobi, Arwa, et al., “Le feu et la mort: des structures de combustion associées à des sépultures à Tell Mozan (Nord-Est de la Syrie) au Bronze moyen”, Paléorient, pp. 135-147, 2014
  • [21]Orsi, Valentina, “The Passage from the Early Bronze to the Middle Bronze Age in Jezirah: a Parallel between Tell Mozan and Tell Barri Ceramic Sequences’”, Proceedings of the 6th International Congress on the Archaeology of the Ancient Near East, May, 5th-10th 2008,‘Sapienza’–Univeristà di Roma. Harrassowitz, Wiesbaden, pp. 863-881, 2010
  • [22]Stillinger, Michele D., Joshua M. Feinberg, and Ellery Frahm, “Refining the archaeomagnetic dating curve for the Near East: new intensity data from Bronze Age ceramics at Tell Mozan, Syria”, Journal of Archaeological Science 53, pp. 345-355, 2015
  • Weiss, Harvey, “Archaeology in Syria, 1994”, American Journal of Archaeology, vol. 98, no. 1, pp. 101–58, 1994